ophelia’s refrain

Video installation | Old Mill Ruins, Killeagh, Co. Cork | Autumn Equinox 2023

Ophelia’s Refrain reimagines the story of Shakespeare’s famous heroine not as a tale of tragedy and demise, but as a willing return to the more-than-human world. Developed while in residence at Greywood Arts Centre in East Cork, the work unfolds within the Glenbower Wood, where daily walks and meditative wandering quietly revealed to me the rich biodiversity of this ancient native woodland. Layering spoken prose, moving image, and an original score by Limerick-based musical artist Ayden Graham, the work blurs myth, ecology, and personal empowerment. What has been framed as madness becomes transformation; what was once an ending gives way to rebirth. Presented within the ruins of the old mill at Killeagh for Ireland’s nationwide Night of Culture, the 11-minute film is less narrative than ritual: a quiet refusal of tragedy, a return to soil. The installation frames the forest not as backdrop but as collaborator, with my own lived experience of this ecosystem shaping the choreography. In this version of the story, Ophelia does not vanish; she takes root.

verse i

I knew madness once.

I kissed its tender cheeks

like wind worries the wheat.

I entertained its tales of woe

and let go of all I had known

Its taste was sweet

An easy release

But incomplete

And in the end I wanted more

verse ii

As I walked down to the river’s edge

I briefly wondered if you would follow

I thought it mattered then,

To be loved by men

But as I passed beneath tall trees

And ventured further out of reach

I felt the shackles fall away

And was glad to know you’d not come looking

verse III

As the crimson sun eked out its final glow

I dressed myself in ivy and promises;

Not to those who would have me scorned

But to birch and nettle with its thousand thorns;

To whispering leaves

And the murmurs of ancient beings

For ‘shallow’ and ‘weak’ and words such as these

Are not things of which the forest knows

verse IV

So gone the grandiose masquerade

Ornate facades concealing deceitful hearts

No longer did I yearn for hollow words

Of men who spoke of love with lips that planned betrayal

And as my unsoiled fingers brushed moss-clad stones

And bare toes met the cool caress of dew-kissed grass

Blossoms wove themselves into my disheveled hair

And I found, in the crystalline mirror, of a raging river

a wild beauty that answered only to my own gleeful yearning

verse V

At last I cast off this ridiculous veil

Of innocence and courtly pretense

32 leaves I’ve stitched within

Hazel, ash, elder, beech;

Rosemary, so I might remember

Or at least never forget.

I’d give you a pansy for your thoughts,

A black one to match your heart.

Oh, how I rue the day

I let your love sweep me away

Verse VI

This boundless river, once a siren's baiting call,

Consummate symbol of Eve after the Fall

Now whispers secrets only I can hear

Beneath a canopy of moonlit veil.

I’ve unearthed my voice anew

(I sing of flowers, for they know of truth)

My heart's lament become a melody,

Fragments of a mournful symphony;

My laughter, once stifled by the weight of uncertainty,

Now echoes like the call of so many wild things.

verse VII

So as the seasons danced their cyclical waltz

I feasted with the creatures of the woods;

Exchanging gossip with long-eared owls

Seeking guidance from gnarled oaks;

My dowry paid in harmony with an arboreal connection

My vanity eclipsed by a celestial reflection

Indeed in the keep of the forest

My only courtiers are fireflies

My only master: the moon.

Installation view | The Old Mill, Killeagh, 22 September 2023

Film still

Detail of installation view | The Old Mill, Killeagh, 22 September 2023

Film still

Film still

Film still

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