ophelia’s refrain
Video installation | Old Mill Ruins, Killeagh, Co. Cork | Autumn Equinox 2023
Ophelia’s Refrain reimagines the story of Shakespeare’s famous heroine not as a tale of tragedy and demise, but as a willing return to the more-than-human world. Developed while in residence at Greywood Arts Centre in East Cork, the work unfolds within the Glenbower Wood, where daily walks and meditative wandering quietly revealed to me the rich biodiversity of this ancient native woodland. Layering spoken prose, moving image, and an original score by Limerick-based musical artist Ayden Graham, the work blurs myth, ecology, and personal empowerment. What has been framed as madness becomes transformation; what was once an ending gives way to rebirth. Presented within the ruins of the old mill at Killeagh for Ireland’s nationwide Night of Culture, the 11-minute film is less narrative than ritual: a quiet refusal of tragedy, a return to soil. The installation frames the forest not as backdrop but as collaborator, with my own lived experience of this ecosystem shaping the choreography. In this version of the story, Ophelia does not vanish; she takes root.
verse i
I knew madness once.
I kissed its tender cheeks
like wind worries the wheat.
I entertained its tales of woe
and let go of all I had known
Its taste was sweet
An easy release
But incomplete
And in the end I wanted more
verse ii
As I walked down to the river’s edge
I briefly wondered if you would follow
I thought it mattered then,
To be loved by men
But as I passed beneath tall trees
And ventured further out of reach
I felt the shackles fall away
And was glad to know you’d not come looking
verse III
As the crimson sun eked out its final glow
I dressed myself in ivy and promises;
Not to those who would have me scorned
But to birch and nettle with its thousand thorns;
To whispering leaves
And the murmurs of ancient beings
For ‘shallow’ and ‘weak’ and words such as these
Are not things of which the forest knows
verse IV
So gone the grandiose masquerade
Ornate facades concealing deceitful hearts
No longer did I yearn for hollow words
Of men who spoke of love with lips that planned betrayal
And as my unsoiled fingers brushed moss-clad stones
And bare toes met the cool caress of dew-kissed grass
Blossoms wove themselves into my disheveled hair
And I found, in the crystalline mirror, of a raging river
a wild beauty that answered only to my own gleeful yearning
verse V
At last I cast off this ridiculous veil
Of innocence and courtly pretense
32 leaves I’ve stitched within
Hazel, ash, elder, beech;
Rosemary, so I might remember
Or at least never forget.
I’d give you a pansy for your thoughts,
A black one to match your heart.
Oh, how I rue the day
I let your love sweep me away
Verse VI
This boundless river, once a siren's baiting call,
Consummate symbol of Eve after the Fall
Now whispers secrets only I can hear
Beneath a canopy of moonlit veil.
I’ve unearthed my voice anew
(I sing of flowers, for they know of truth)
My heart's lament become a melody,
Fragments of a mournful symphony;
My laughter, once stifled by the weight of uncertainty,
Now echoes like the call of so many wild things.
verse VII
So as the seasons danced their cyclical waltz
I feasted with the creatures of the woods;
Exchanging gossip with long-eared owls
Seeking guidance from gnarled oaks;
My dowry paid in harmony with an arboreal connection
My vanity eclipsed by a celestial reflection
Indeed in the keep of the forest
My only courtiers are fireflies
My only master: the moon.
Installation view | The Old Mill, Killeagh, 22 September 2023
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Detail of installation view | The Old Mill, Killeagh, 22 September 2023
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